The origin of a Keris can be determined by the shape of its sheath. There are four basic shapes:
In Sulawesi, the Peninsula and some regions of Sumatra, the sheath has a shoe called buntut. |
Mranggi |
When making a Warangka, the Mranggi pays a special attention to the choice of the wood, it is made from the most ornamental wood, which is often not the strongest. Many Gandar (lower part of the sheath) are fitted with a metal sleeve: the Pendok. A painted warangka is called "sunggingan". |
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Four basic shapes are : |
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GAYAMAN | LADRANG | SANDANG WALIKAT | TENGAH |
The choice of the wood is an essential part of the Keris, as for the pamor, each Kayu (wood) and each Pelet (wood pattern), has a special power
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Examples of Kayu: |
Kemuning (Murraya Paniculata),
honey hardwood with a beautiful flame-like, luminescent grain running
through it | |||||||||||||||||||||||||||||||
Trembalo (Cassia Glauca) | |||||||||||||||||||||||||||||||
Teak or Jati (Tectona Grandis) | |||||||||||||||||||||||||||||||
Awar Awar (Ficus Leucantatoma) | |||||||||||||||||||||||||||||||
Timoho (Kleinhovia Hospita) | |||||||||||||||||||||||||||||||
Cemara Gunung (Dysoxylum acutangulum) | |||||||||||||||||||||||||||||||
Sawo (Manilkara Zapota) | |||||||||||||||||||||||||||||||
Cendana (Santalun Album), prized for its fragrance | |||||||||||||||||||||||||||||||
Sono or Angsena (Pterocarpus indicus), deep orange-gold hardwood | |||||||||||||||||||||||||||||||
Mahogoni (Swietenia macrophylla) | |||||||||||||||||||||||||||||||
Sanakeling (Dalbergia latifolia) | |||||||||||||||||||||||||||||||
Kendayaan (Bauhinia malabarica) | |||||||||||||||||||||||||||||||
Gemia (Bouea microphylla), reddish wood | |||||||||||||||||||||||||||||||
Examples of Pelet, mostly found on Kayu Timoho and their Tuah (magic power): |
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