The Keris influence was not limited to the Malay world. The capital of Siam, Ayutthaya was one of the largest cities of S-E Asia, in 1658-1659, Phra Narai, the king of Siam has given asylum to 773 Minangkabau from Sumatra and in 1664 to 250 Macassar, who were allowed to build their Kampung next to a Malay community of twenty thousands. Through this immigration the Keris was well known and had such a reputation, that it was worn at the Siam court in the 17th century. "I have often said that the city of Campeng Pet is famous for its mines of excellent iron. Local people forge weapons according to their usage, such as swords, daggers and knifes. The knife, which they call pen is used by everybody and is not considered as a weapon, although it may be used as such; the blade is three to four fingers wide and a foot long. The king gives the sword and the dagger. They wear the dagger on their left side, slightly on front. Portuguese call it "christ", a deviation from the word crid, which Siamese use. This word comes from the Malay language and is famous in the Oriental world, and the crids made in Achem, in the island of Sumatra, are considered as the best of all. As for the sword, it is always carried by a slave in front of his master, on the right shoulder, like we hold or muskets on the left side." Source: Simon de La Loubčre "Du royaume de Siam" 1691 "This captain [the Macassar captain], with no
hesitation, answered
«I agree, but they will disembarked armed.»
Then, looking at him and smiling : «Are
we in war? I asked him. - No, he answered: but the crit that I have on my
side, and which is the weapon that we wear, is such a honor among us that
we could not leave it without infamy.»
I could not reply to this argument, I agreed, not thinking that what
seemed to me such a despicable weapon would be as dangerous as I would
later experience it. Source: Le voyage du Comte de Forbin ŕ Siam - 1685-1688 -
Siam court Keris sketch by Charles le Brun (17th century)
Siam Ambassador to the court of Louis XVI of France painting by Jean-Baptiste Nolin |
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